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Performance art is art where the actions of an individual or a group at a
particular place and in a particular time, constitute the work. It can happen anywhere, at any time, or for any length of time.
Performance art can be any situation that involves four basic elements: time, space, the performer's body and a relationship
between performer and audience. It is opposed to painting or sculpture, for example, where an object constitutes the work.
Although performance art could be said to include relatively mainstream activities such as theater, dance, music, and circus-related things like fire breathing, juggling, and gymnastics, these are normally instead known as the performing arts. Performance art is a term usually reserved to refer to a kind of usually avant-garde or conceptual
art which grew out of the visual arts.
Performance art, as the term is usually understood, began to be identified in the 1960s with the work of artists such as Allan Kaprow, who coined
the term happenings, Vito
Acconci, Hermann Nitsch and Joseph Beuys. Western cultural theorists often trace performance art activity back to the beginning of the
20th century. Dada for example,
provided a significant progenitor with the unconventional performances of poetry, often at the Cabaret Voltaire, by the likes of Richard Huelsenbeck and Tristan Tzara. However, there are accounts of Renaissance
artists putting on public performances that could be said to be early ancestors to modern performance art. Some performance
artists point to other traditions, ranging from tribal ritual to sporting events.
Performance art activity is not confined to European art traditions; many notable practitioners can be found among Asian, Latin American, Third World and First Nations
artists.
Performance art genres include body art, fluxus, action poetry, and intermedia. Some artists, e.g. the Viennese
Actionists and neo-Dadaists,
prefer to use the terms live art, action art, intervention or
manoeuvre to describe their activities.
Performance artists include:
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